Innovation, Risk, Surprise, Uncertainty

Positively Negative Spaces

Negative space 1

Illustration: Sharpie pen with black ink by Black Elephant Blog author

To continue on the theme of basic concepts in art–as I am learning about in my basic drawing class–we come now to the concept of “negative space.”    This doesn’t sound too good until you learn that the “negative” in the phrase simply refers to the space around and between the subjects of an image, as also explained here in Wikipedia.  For those who have made it through graduate school and perhaps even an entire career without coming across this concept, this idea is quite exciting…and positive.  (However, “positive space” is something different.  The world of art has its own language, like every other endeavor, with words like “tooth,” “value,” and “wash” meaning quite different things to artists.)

Negative space sometimes means drawing with space to produce a silhouette of the subject.  To produce this effect, we students used a homemade viewfinder (two L-shaped strips of cardboard taped together to form a small rectangle) and chose the composition we’d like to create with negative space.  Note that objects overlapping each other in real life viewing simply become part of the same silhouette, as in the image above.

What is remarkable about this exercise in seeing and thinking is that it focuses on the context in order to define the subject. Just as in Drawing the Light, sharpening our attention to what is around and affecting the subject is important. Just one slip of the pen and we’ve completely changed the look of the subject, and possibly even ruined it altogether.  Context really matters! 🙂

Illustration:  Watercolor, gouache, ink, pencil, and white charcoal by Black Elephant Blog author, representing the 1916 watercolor by Charles Demuth at the Philadelphia Museum of Art

Illustration: Watercolor, gouache, ink, pencil, and white charcoal by Black Elephant Blog author, after the 1916 watercolor “Green Dancer” by Charles Demuth at the Philadelphia Museum of Art

Seasoned artists often give their images a multidimensional appearance and sometimes even an impression of movement by using light, shadows, and contours.  Every teacher  I’ve had so far in this new venture has said it is important to draw what surrounds the subject at the same time as we focus on drawing the subject. In other words it is a rookie mistake to focus single-mindedly on drawing a subject without considering the context.  This simple advice is stunningly important with so many applications in life, and not just to art.

How can we understand the seemingly sudden emergence of new threats, challenges, or risks without widening the “viewfinder” to see what might be the context around them?  Could one “slip” or failure in the “negative space” to anticipate a requirement have consequences for subjects, or “positive space,” in real life? Alternatively, is there more positive “negative space” shaping that can be done to influence the subject?  The list of relevant applications for the negative space idea seems simply endless…  What would happen if we played with the concept of “negative space,” and  reframed the key issues of the day through our “viewfinders?”  Without context, mistaken analysis, lost opportunities, and unforeseen surprises are inevitable.  Particularly for those instances in real life where the consequences of failing to see repercussions could be worse than a ruined piece of paper, learning to think and see differently about “negative space” seems valuable.

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Innovation, Risk, Surprise, Uncertainty

Drawing the Light

Illustration:  Pastel pencil and white charcoal by Black Elephant Blog author

Illustration: Pastel pencil and white charcoal by Black Elephant Blog author

During a recent art class, the teacher encouraged the students to “draw the light.” With black sheets of paper and a few xeroxed black and white images fished out of a pile to serve as models, we tried seeing the opposite of what we have been trained to expect. Instead of trying to represent the external reality of someone or something in terms of its casing or flesh and bones, we were to draw the light reflected from the surfaces. This was a fascinating exercise for those of us who hadn’t tried it before.

In drawing the light, at least for the first time, you can almost feel a different part of your brain working, and see an image emerge on paper that you know you didn’t draw in a standard way.  Out of total blackness and emptiness emerges a figure, an expression, and new possibilities previously unimagined.

While many an effort doesn’t work out exactly as originally hoped, sometimes the outcome is surprising simply because we didn’t expect it.  Drawing in search of such surprises seems to have parallels in methods for thinking strategically. If we applied similar counterintuitive reasoning strategies to some of the world’s greatest problems–drawing the light instead of (or at least in addition to) reacting always to the darkness we can see more readily–what could be the result? How much of what happens is driven by our expectations, as low as they might be for some issues?

Art can help reset the mind to realize that by learning to see differently we can open up different possibilities. Indeed, could persisting in traditional ways of seeing actually be dangerous in  a world so obviously transformed and transforming by the hour, if not the minute? Might we more inevitably face more dangerous surprises by persisting in unproductive ways of thinking (or working, or organizing, measuring, or valuing)?  Alternatively, by embracing more surprising thinking ourselves, might there be a way to gain strategic advantage?  Isn’t this already recognized in business as identifying ‘niche’ opportunities or fostering innovation?  In any case, by trying to draw an image again and again, it is possible to see how much went unseen before.

Image: Poster of child's drawing displayed on the Paseo de la Reforma, Chapultepec, Park, Mexico City

Image: Poster of child’s drawing displayed on the Paseo de la Reforma, Chapultepec Park, Mexico City as part of program focused on preserving the Lacandon Jungle

It seems that artists, including children, have much to teach us about different ways of seeing the modern world.  Without fully exploring these “adjacent possible” spaces, to use the phrase coined by Stephen Johnson in Where Good Ideas Come From, how many opportunities do we miss?  The recent lesson in drawing the light was a powerful reminder of how much innate capacity remains untapped in most traditional approaches to challenges!

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Uncategorized

Valentine’s Day Surprises Mexican-Style

DancersOften there’s nothing more to noticing surprising things than to put yourself in a different environment or try something new, or both. Over this holiday weekend in Mexico City, there has been a lot to notice and enjoy, not least because the city is filled with Valentine’s Day celebrations!

Poster on Paseo de la reforma in Chapultepec Park showing drawing by a child

Poster on Paseo de la Reforma in Chapultepec Park showing drawing by a child

So many things to see, and lots of fun things to taste. And great fiestas of sound and dance!  Not rare for the folks in this great town but still full of surprises for the visitor!

Unsurprisingly, the traffic can be a bit overwhelming for the newcomer, as living flows of cabs, people on skateboards and roller skates, bikes, and buses jostle for space down crowded boulevards.

Angel de ReformaThe exquisite way-beyond “state-of-the-art” displays in the Museo de Arte Moderno and the Museo Nacional de Antropologia are full of spell-binding surprises.  Even for the seasoned museum-goer, these museums take one’s breath away!

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Gran hotel ceiling

Stained-glass dome ceiling over the lobby of the Gran Hotel de la Ciudad de Mexico

The street life especially around the Zocalo (central plaza) in the Centro Historico is full of diversity–and crowded with people–as bands play on a large stage–in front of the cathedral.  If traversing the streets gets overwhelming, as it did for me, duck into the lobby of the Gran Hotel de la Ciudad de Mexico and have a look at its stained glass ceiling; this building was once a department store!

Nearby in the Museo de Diego Rivera is a massive mural by the artist.  It’s something not to miss; it’s breathtaking!  (Reportedly as many as 200 other murals are inside the Department of Education–and usually free to visitors who want to see them–but it’s not open on the weekends.)

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Inside the Museo de Diego Rivera

While the streets were filling to overflowing around the Centro Historica, with seemingly everyone in town out to celebrate Valentine’s Day, the police also were in seemingly full force directing traffic and providing directions.

Prehistoric dogs

Perro “Xoloitzcuintle”, a dog of prehispanic origin which is in danger of extinction, has no hair, lacks some teeth and has sensitive skin.

In nearby Coyoacan, the festivities were similarly joyful and colorful, with newlyweds having photos taken in the park in front of the cathedral… and a lot of dancing going on next to the cathedral!!!  Cobblestone streets and cafes extend from the central park in all directions. When we needed to stop, there was no shortage of places to get a great plate of enchiladas and a cold drink.  Peacock 1And over at the Museo de Dolores Olmedo–a beautiful setting for paintings by Diego Rivero and Frida Kahlo and majestically landscaped parks–the peacocks were in fine form!  As this male peacock trembled his feathers, a soft clicking sound–unlike any other–was audible. Nearby, hairless dogs at risk of extinction–whose line goes back to prehispanic times–played, with their 10 week-old puppies greeting visitors.

Everyone is out enjoying this Valentine’s Day and it’s not over yet!

Valentine's Day in Coyoacan

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Coyoacan on Valentine’s Day!

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Valentine’s Day festivities in Coyoacan

Artesianas

Mexico City in February

Mexico City in the morning

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Creating the Future

Painter 4

Illustration: Graphite crayon and pencil by Black Elephant Blog author

My new class on “Climate Change and Security”–which I am co-teaching this Spring at a local university–has proceeded with supersonic speed due primarily to the students in it.  In one week’s time, they have demonstrated impressive capacities for agile thinking and reframing new concepts.  This is a good thing as, whatever your optics on the world, surely it’s clear that seizing and shaping the future(s) we face requires all kinds of agility today.  Our course alone requires us to move across disciplines as diverse as geology, biodiversity, land management policies, and international law.  (Due to the diversity of knowledge required for this topic–a diversity exceeding most people’s cognitive capacity–we always are on the lookout for guest speakers!)

At the outset, our class covers the science of environmental changes right down to the molecular level, and then–in a way that could be dizzying to some–moves rapidly into broad subjects related to concepts of national, global, and human security.   We zoom in close on a careful consideration of the chemistry and geophysical interaction of the biosphere and then, often in the same class session, zoom right out into the worlds created by man. Together we examine the evolution of international security studies and quickly weave in newer work on global risks, resilience, and broader notions of security.   This year, the World Economic Forum’s report, Global Risks 2014, is featured early in the reading assignments.

Looking at the larger context of global risks helps us see  right from the get-go that environmental security issues have much in common with–and are interconnected to–other global risks and challenges. Having people from around the world in the class always makes for richer discussions!  The discussions this past week have stuck in my mind, so perhaps jotting down a few notes here will make some ideas easily recoverable for later projects, links, posts, and so forth…

While this blog left off with a post last week on the notion of serial innovators (and their innate capacities for valuing the “whole”, including the whole team, the whole organization, etc.), the discussions in our brand-new class last week were a powerful reminder of the importance of cooperative (and iterative, “nonlinear”) sense-making abilities across disciplinary, national, and even generational boundaries.  Serial collaboration skills are coming into vogue, involving the abilities to rapidly form teams and networks able to leverage geographically dispersed expertise, technologies, and data. There is simply too much to know, or wonder about, for one individual, organization or even a single nation! In so many ways, our responses, organizationally, may need to mimic the nature of the challenges:  interdependent, diverse, flexible, and combining a bifocal capacity for short-term and long-term sensibilities.  “Progressive” lenses, that’s what we need! 🙂

So far the class has discussed how “security,” the concept, means different things to different people, primarily due to diverse contexts and values.  We had a presentation from one student based on the assigned readings, which highlighted that concepts of security are linked to given values, such as job security, cyber security, and national security.  The bottom line, as he saw it, is that the definition of security relies entirely on the environment in which it is presented.  Students’ short papers also emphasized, based on assigned readings, that prevailing views of security are out of step with emerging realities.  One suggested that a main challenge today is “our inability to change our way of thinking and reform institutions at a pace fast enough to deal with reality.”

Students have identified that a strictly state-centric perspective in security discourse can be a limiting factor, in the context of environmental security issues, and needs to change.  The concept of human security, already 20 years in the making, may offer a way to “shift to people and societies in discussions and discourses on security,” wrote one student.  This shift will be crucial to designing appropriate responses to the emerging challenges related to climate change.  In many ways, dealing with environmental security challenges requires “a longer-term, more complicated, and integrated response,” said a student.

Up to now, security studies have emphasized external threats to states and so, as some of the experts whose work we are consulting in the class, such as Simon Dalby of the Balsillie School of International Affairs in Ontario, Canada, the very concept of security sometimes may be a detriment to providing it.  One student pointed out that security generally implies protection of the status quo and against change.

The students are grappling with the conflicting conclusions of the IPCC assessment reports regarding the link between climate change and security.  They also are reading about the fact that climate change threatens to “exacerbate existing socio-economic inequalities on an international scale” as, according to one student’s paper, “the poorest populations are simultaneously the most vulnerable and least able to adapt to climate-induced impacts.”

Among the remarks made in the discussion were that effective responses require international cooperation, not rivalry. Participants in the class wondered whether this “security” challenge is like other global threats, such as the Ebola crisis, where required responses involve more than the military.  In addition, the discussion surfaced issues of risk assessment and perception, communication strategies, and public engagement.  Clearly it is going to be a busy semester! I am glad I just have one class! 🙂

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