Uncategorized, urban sketching, Watercolor Painting

Painting the town in Washington, D.C.

Here it is already June! What do I have to to show for it being almost mid-year 2019? I’ve not been painting as much this year– due partly to some work-related priorities but mostly due to a combination of too many choices with regard to painting media and some news-overload paralysis, I’d say. Painting more frequently is absolutely essential to becoming more proficient and I’ve totally failed so far in that goal this year. I keep watching other painters’ blogs though, and am finding that some painters whose work I respect are rediscovering the value of working from reference photos (which means painting inside).

But we’ve had gorgeous weather beckoning me outside. And: I finally broke open a packet of watercolor paper I bought on the trip to Germany earlier this year–paper that’s hard to get in the U.S. (Being interested in paper, this is a sort of ‘me’ thing, I guess.)

Illustration: “Georgetown Waterfront Park,” Hahnemühle ‘Leonardo’ cold press watercolor paper, 2019 by Black Elephant Blog author

Since we had a gorgeous weekend, I found myself down at the Georgetown Waterfront where there is an unbelievably tranquil park. Enjoying gentle breezes and the surprisingly wide-ranging discussion with me (immigration, climate change, human trafficking, mangroves, wetlands…and how they are all interconnected!! So very impressive!) of a young lady visiting from Utah, I created the following scene without spending much time setting it up. The paper is amazing and so thick it would be shame not to follow up and paint something else on the reverse side.

Illustration: “Enid A. Haupt Garden,” Watercolor on cold press paper (2019) by Black Elephant Blog author

Earlier this year, I managed to get out and do other scenes of some parts in Washington, D.C. This city is famous for many things but people out of town may not be aware of how many absolutely gorgeous and well-maintained parks there are in this region, many in the heart of D.C. while others are in surrounding neighborhoods. It would be a shame to miss some of them no matter how short your visit. I’ve included below a few painting sketches from last year as well!

Illustration: “Springtime in Farragut Square,” watercolor on Arches cold press paper, 2019, by Black Elephant Blog author
Illustration: “Oak Hill”, watercolor, gouache, and ink on “15x “11 Arches 140# watercolor paper
Illustration: “Spring colors”, 15″ x 7″ watercolor, gouache and ink on Fabriano Traditional White 140# watercolor paper by Black Elephant Blog author
Illustration: “Orangery,” at Dumbarton Oaks, Georgetown, watercolor and pen-and-ink on Arches CP watercolor paper by Black Elephant Blog author (2018)
Illustration: “Sculpture Garden, National Gallery of Art,” Watercolor, gouache, and pen-and-ink on Fabriano Artistic paper by Black Elephant Blog author (2018)
Illustration: “U.S. Capitol,” Watercolor and pen-and-ink on Arches CP paper approx 14″ x 9″ by Black Elephant Blog author (2018)
Illustration: “Colvin Run Mill,” Watercolor, gouache, and pen-and-ink by Black Elephant Blog author
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Uncategorized, urban sketching, Watercolor Painting

Equestrian arts at Frying Pan Park

Today the sun came out after a somewhat overcast morning sky and, after various Saturday must-do’s were done, it seemed like the right time to go find horses to paint.  I went for the first time in many years to a certain nearby park and before too long discovered I had truly overachieved.  After  sketching out the scene on my paper, I realized a major equestrian event was about to start literally right around me.

FryingPanPark

Illustration: “Frying Pan Park,” Watercolor, gouache, and ink by Black Elephant Blog author (2019)

Riders on beautiful horses waited their turn just a few feet away, and judges, photographers and a large audience were perched on a hill below some trees to my left. I couldn’t have planned this better since I arrived just beforehand.  Fortunately my spot next to some conveniently large and flat rocks was not in anyone’s way.  I managed to focus on the scenery and capture some of the horses and riders warming up on lower field before the big competition.   The spring colors of the trees and fields were striking, but I also tried to capture some of the scene right in front of me.  As usual, the master works of such scenes that I know best (from Degas or Dufy, for instance), are in oil paint, not watercolor, and I am thinking to try an oil painting of this scene before too long.  Drawing horses can be difficult but the style of Raoul Dufy is quite loose and freeing, and that is probably what I’ll try next as an experiment.

Illustration: “Chateau and Horses,” by Raoul Dufy

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pastel, Uncategorized, Watercolor Painting

Spring Colors

Spring is finally here even though a chill wind creates little choppy waves and white caps on the lake near my house.   But now, new blossoms around our neighborhood are blindingly radiant.  They won’t last long so we’re trying to take it all in now.  When we’re out walking, they bounce in the breezes overhead  as if tossing folds of white and pink skirts to show off.  Bright forsythia complete the color show.  It’s tempting to set up an easel immediately but a quick check this morning confirmed that the temperatures are just above freezing.

Lake scene

Illustration: “Spring colors”, 15″ x 7″ watercolor, gouache and ink on Fabriano Traditional White 140# watercolor paper by Black Elephant Blog author

It’s hard to believe a year that starts off with such a gorgeous spring could be anything but fabulous (though, of course, sadly, there’s many more reasons geopolitically at least why it might not be–but that surely is for another blog post, and maybe even another blog).  Art is a great way to escape from whatever is preoccupying one. Anyway, it’s time to get out the paints and the pastels, pencils and erasers, and experiment.   No pressures, just to see what happens.

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Illustration: “Bouquet,” hard and soft pastel on Claire Fontaine Ingres Pastel “Bright” paper, by Black Elephant Blog author (2019)

Here’s a bit of the latest work, including a pastel on a Claire Fontaine Ingres colored pastel paper made in France.  (Note: this paper has a sort of grid imprint that shows up in one’s work, not an effect everyone is seeking, but I was using it for the background color.)  I’ve found that I can make copies of these on a little printer and give them out as cards, when I need one.

Recently, over the weekend, we had a warm Saturday afternoon, so I set up a watercolor easel downtown in the driveway of an unoccupied ($8 million!) house opposite this cemetery gate.  It was a great spot, just out of the way of the pedestrians with a direct view of the gate.  I’ve been fascinated for several years by the famous Fauvist Raoul Dufy’s treatment of gates (he mainly painted in oils), so perhaps I’ll give this one another try.  It’s the gate to the Oak Hill Cemetery in Georgetown, Washington, D.C.  The cemetery was founded in 1849 and overlooks the Rock Creek Parkway.

OakHillCemetery

Illustration: “Oak Hill”, watercolor, gouache, and ink on “15x “11 Arches 140# watercolor paper

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oil painting, Uncategorized, urban sketching, Watercolor Painting

Journey through Childhood Memories

I’ve just returned from a two-week trip to Germany and Austria, mostly to visit with family but also traveling with close family.

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Illustration: “Sunset in Heidelberg,” oil on canvas by Black Elephant Blog author (2019)

This turned out to be the long-awaited time when I would return to Vienna, Austria and the international high school from which I graduated many years ago.  It was so special to discover that I still recall the streetcar and bus numbers to get from the inner city to the outer district where my former school is.  The weather cooperated throughout this trip, with snow flurries and cold suitable for January (but no worse).  Lunch over in the neighboring wine district of Grinzing, with light snow falling outside and settling on ledges around the onion domes of a church across the street, finished off the visit to the outer district. Later it was back by the efficient streetcar system to the inner city and, from there again by streetcar, to the Belvedere Schloss to see Klimt art and other paintings.  We had a hot drink in its warm gold and ochre royal cafe with the Belvedere gardens outside covered in snow and a blue-purplish early evening light seen through the windows.

In such weather, however, and in a group of travelers there is less incentive to stop and try to paint or, more likely in such weather, draw.  Outside of Stephansdom, the main cathedral in central Vienna, one hardy soul was painting in oils in close-to-freezing weather.  He was set up to sell them so perhaps had an incentive to paint in his fingerless gloves out in the cold, but the prospect did not hold any appeal to me.

My trip also took me to the Pfalz area for a memorable wine-tasting, to Stuttgart, Karlsruhe,  Heidelberg, and much smaller towns along the Rhine; my early school years were in Bonn, Germany north of where we were on this trip.  One can get most anywhere at almost anytime on the dense network of streetcars, inter-city railroads, and the faster ICE, and in Austria, the OBB trains.  There was almost no need for a car (except for hauling all the wine home after the wine-tasting!)

Back home now, there is some time for reflection and recreation of scenes, including the memory of a sunset over Heidelberg in Germany, as this painted scene from the castle above the town recalls.  A special book in German about Heidelberg fell into my hands during the visit there, recommending itself to me through the wonderful watercolor on its cover and on plates throughout its pages.  It turns out to be a book by a former director of the city’s archives, chock full of history and insights.  Also in Heidelberg, we visited an amazing museum which can be found by going down a quiet drive into a palace area off of the main pedestrian street:  called the Museum of the Palatinate, it has excellent displays covering the history of the many peoples (Celts, Romans, various tribes) who settled in this area.  If you need to get off your feet for a while, you can take a snooze here on a cushioned Roman bench in a recreated Roman dining area; signs in German encourage you to do just that, so long as you take off your shoes!  (For artists and urban sketchers, it may be of interest that the LAMY headquarters is in Heidelberg and a new flagship store full of temptations is on the main drag in the old city.) There is something about travel, and seeking to restore a rusty foreign language ability, that awakens the need to create, to remember, to connect, and to imagine…so perhaps there will be more scenes from my youth coming to this blog.

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Uncategorized, Watercolor Painting

Weekend Sketching at Union Station, Washington, D.C.

Of course it was supposed to rain this weekend; we all expected it. Thus the weekend sketchers met up inside Union Station in Washington, D.C.

Union Station 1

Illustration: “Sunlight-filled Union Station D.C.”, Watercolor and pen-and-ink in a sketchbook by Black Elephant Blog author (2018)

The weather ended up being sunny and muggy. Inside the train station it was cooler, and it was possible to stare at the ceiling without getting in anyone’s way.  Nowhere near as grand as Grand Central, there nonetheless is a lot of see inside this train station, including multiple identical statues of Roman soldiers each holding an identical shield.  Bright light filtered through the many windows above onto the cavernous hallway.  As one of the people who has rushed through here with scarcely a glance at my surroundings, it was nice to have a chance to try to take it all in.  It’s a busy place, including visually, and a good place to practice with perspective.  For this watercolor sketch, I was back to using Stillman & Birn Zeta soft-sided sketchbook and working across the binding between the pages, in an oblong portrait format. These days I am also using Noodlers #41 waterproof brown ink.

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Uncategorized, Watercolor Painting

Plein Air Under Wet Skies

Yesterday there was time to slip one more plein air effort in under the wire of arriving rain showers, now torrential.  Standing in the garden behind a popular area restaurant, I focused on a fountain; the sound of falling water is so relaxing and makes painting more enjoyable.  It was suddenly like a day in November, chilly and wet.  There were no interesting shadows to work with, due to overcast skies.  The lion face in the fountain was difficult and I should have slowed down and focused on a piece of this, but the statue in the background also appealed to me.  Working plein air is for me mostly fun but also an organizational challenge.  I need a flat surface nearby on which to rest stuff, and usually don’t have one; brushes roll off the easel and into the grass.  (I suspect that whoever invents a light-weight mobile solution to this will make a lot of $$.)

Illustration: “Oasis,” watercolor, gouache, and pen-and-ink on Arches watercolor paper approx. 11″ x 8″  by Black Elephant Blog author (2018)

This was the last chance to try for another painting under the rules of the “plein air” competition ending today.  With the heavy rains now, it may be a challenge just to get over to the gallery with my work as some roads around here flood quickly.  But two paintings are now done in a 24 hour time period.  These days, when we all sense how little we actually ‘control,’ there is some satisfaction in this!

 

 

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Uncategorized, Watercolor Painting

Great Falls Annual Plein Air Competition

Days of high humidity continue but this hasn’t deterred plein air painters this week from getting out around Great Falls, Virginia during the 4-day annual plein air competition going on now.

Colvin Run Mill Path

Illustration: “Colvin Run,” Watercolor on Arches rough watercolor paper, approximately 11.25″ x 8.25″ by Black Elephant Blog author (2018)

I set up my easel on a gravel path on the grounds of the Colvin Run Mill, which was built in 1811.   It’s a still-functioning mill where mill stone wheels grind wheat and corn.  The grinding stone wheels set inside a hillside in the park here have caught my attention on previous visits.  I decided they would be my subject on this sweaty afternoon!

Colvin Run Mill easel

Illustration: Photo of author’s easel set up today at Colvin Run Mill, Great Falls, Virginia

Rain is in the forecast for the rest of the weekend so it’s hard to say if I’ll produce any more paintings in time for the contest’s deadline on Sunday afternoon.

Stop by the Great Falls Art Gallery on the Village Green if you’d like to see what area painters have produced during this competition–and this painting on the gallery wall!

Colvin Run Mill Grinding Stones

Illustration: Photo of Colvin Run Mill Grinding Stones (Pinterest)

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