Uncategorized, Watercolor Painting

Watercolor on Gessoed Wood Panel

At last there’s time today to experiment with painting a scene in watercolor directly onto a sanded gesso panel.  This gesso preparation is meant for priming rigid surfaces such as this panel but usually for the purpose of oil or acrylic painting.  I’d read recently, however, about a watercolor painter who makes his own gessoed panels for “plein air” competitions, and thought I’d try it.  So,  earlier this week, I prepared a panel with several layers of gesso and sanded it down to a smooth surface after the gesso dried (photos below).

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Illustration: “Twilight in Baden Baden” Watercolor on gessoed wood panel (18″ x 12″ x 1.75″)

As I tried this watercolor scene, I was pleasantly surprised by the effect on the panel and could instantly see the possibilities, with more practice, to  “lift” paint for lighter effects, glaze, scrape, create patterns and give more depth or dimension to the painting.  I’m sure I’ll be trying this again.  (To make the gesso, I used the Gamblin brand for traditional gesso and followed the instructions.)

Gesso panel

Illustration: Gessoed wood panel

Plain panel

Illustration: Plain wood panel

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oil painting, Risk, Uncategorized

Oil Painting Canadian Geese in Times of U.S. Turmoil

When one is accustomed to watercolor painting, experimenting with oil paints is initially frustrating.  There are a lot of differences and one is that it’s a whole lot messier. There must be a method to your madness too, or the colors will quickly become muddy from careless mixing and intermingling of brushes.  I set myself up with some Gamblin oil paints, which came with a handy 6″ x 12″ wooden panel.  I used this panel as my first surface (seen below). It’s easy to see how (and why) one could spend a lifetime trying to master this. As with watercolor, however, there is a difference between somewhat heavy-handed applications of paint, and a lighter hand.  It’s all going to require a lot more experimenting…

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Illustration: “Canadian Geese on a Fountain”, Oil on 6″ x12″ panel by Black Elephant Blog author (2017)

As to this image, it sprang to mind when I faced off with the blank wooden panel. While out taking a walk recently, I noticed that a nearby fountain is currently undergoing maintenance and our ubiquitous Canadian geese were resting on it in the middle of the lake.  This became my subject.  But remembering what Canadian geese look like proved harder than it should be–given that there are so many in this area that groups of them waddle through parking lots in search of food.  So I went out and looked at them again!

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Illustration:  Trying to make the Canadian geese more realistic!

A “touch up” later and the whole thing got still more complicated; (maybe this is like revising an already unacceptable healthcare bill).  When I start over next time,  I will try to stick with simple shapes, and see what happens.  Anyway, this is welcome distraction from the just-announced “healthcare” bill which, if passed, will cause immense damage to this country, apparently intentionally so!

A brief break from the easel to check the news online… and what do I see?   Video clips of U.S. Capitol Police trying to carry elderly and apparently disabled people out of the halls of the U.S. Capitol…   This is not very positive imagery for the erstwhile “leader of the free world” clearly.   Evidently these people had gathered there at considerable personal effort, in wheelchairs and on canes, to protest the secretly cobbled-together “healthcare” bill that will throw all of them out onto the street.  Here they were being picked up off the floor to be carried out to the street…how symbolic of the new government approach to people in need.  These are exactly the type of people who will be harmed the most if this bill passes, as major insurances companies warned again just today:  The proposed bill will most hurt “74 million low-income, disabled and elderly Americans whose health care coverage through Medicaid” depends on Congress’s next moves.  Right now, their obvious preferred option is to make the rich richer, and let the less fortunate fall through the widening cracks, come what may…  What kind of policy-maker thinks this way?

Ironic that Canadian geese must have determined this is a better place to live when, at least for American people (except for the famous “1 %”), it will become much more difficult in the U.S. in the years ahead. That is, unless we suddenly see an outbreak of forward-thinking readiness to consider the public good  among the people’s elected representatives–thinking that is not much in evidence, tragically.   They cannot connect the dots between the public good and national and global security, obviously.

As I turn back to the easel, I think about what I just saw:  U.S. Senators are embracing a bill that the U.S. President has described as “mean” even as he urges them to pass it without delay. It’s not making America great apparently that is the goal, but making America “mean”?  How could this sort of thinking possibly prepare this great nation for the unprecedented challenges rushing headlong at us, irrespective of our political leanings, in the years just ahead?  Clearly making sense of the news is harder than painting in oils.  I’ll stick with the task at hand…for now.

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Innovation, Surprise, Uncategorized

Sketch Experiment with Bistre Ink

If you know about Rembrandt, you probably know about bistre ink. This ink was the go-to ink of the masters so when my bottle of it arrived in the mail all the way from Germany the other day–the same day I looked again at the John Singer Sargent oil paintings on display at the National Gallery of Art in Washington, D.C.–of course I had to test it out almost immediately. (The figure in my sketch, which I did first in pencil at the museum, is looking at the viewer–which is NOT what she is doing in the John Singer Sargent painting–there, she is looking away, as if ill or disconsolate.)

The ink is delightful, as I discovered when  combining a wash with using a pen and nib to try to recreate–inevitably way imperfectly but what is life without a challenge!–the feeling the Sargent created in his oil painting of “Repose”–reportedly done at a time when he viewed portraiture as a “pimp’s profession”–so this was his rebellion against formal portraiture.

Anyway, imagine traveling without all the acoutrement of a watercolor kit–just a bottle of this ink. The possibilities are really amazing!

Illustration:  Bistre ink wash and pen (Rohrers Ausziehrusche Bister) sketch of John Singer Sargent's oil painting known as "Repose" in the National Gallery of Art, Washington, D.C.

Illustration: Bistre ink wash and pen (Rohrer & Klingner “Rohrers Ausziehtusche Bister”) sketch of John Singer Sargent’s oil painting known as “Repose” in the National Gallery of Art, Washington, D.C. by Black Elephant Blog author

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