Although spring should be on its way, we have plenty of wintry skies these days to practice with in watercolor. Skies seem to be meant for watercolor–as, come to think of it, that’s what they seem made of. Still it’s a challenge to get all those fluid wispy shapes that nature has perfected. From my spot here at tree-top level (but inside a cozy room!) I see this lake reflecting back the shades of the sky and the surrounding landscape. Never a dull moment… Having gone back over a lot of art books recently, I have brought back white gouache with near-abandon yet seeking still to keep some white paper untouched. Gouache has always been controversial with the purists but paradoxically always welcomed by artists so accomplished as John Singer Sargent and Winslow Homer. So us mere mortals should have no hesitation to experiment away…
Winter’s definitely here in this region, in more ways than one. Temperatures are now in the teens Fahrenheit, with strong gusts of freezing wind and the occasional brittle limb snapping off the trees…so it’s definitely not suitable for ‘plein air’ painting. But these wintry scenes, before any snow or ice falls, hold a spell of their own, and are intriguing to try to capture in paint, once you get back inside.
So it was time, after a brisk walk in the cold, to experiment with some of the techniques I recently learned in a two-day workshop on creating “texture in watercolor.” Who knew we could paint with all manner of tools, and not just brushes? Out came the bits of sponges, the rock salt, the drafting tape (to help mask up spaces on your surface so that you don’t paint over them), the masking fluid (also for covering up spaces), dried leaves, and other treasures for creating different effects, whether for trees or mountain ranges, clouds or water, or something more exotic.
To add to all the experimentation in this painting, I used a scrap of Crescent illustration board as my surface for the first time. It’s actually an off-white cream and I wanted to see what how it would handle watercolor and other media. The board itself curved a bit in the process but can be flattened out. It was otherwise easy to work with. I may give this scene another go on it, in fact. I will return to the issue of texture in watercolor in the not-too-distant future as it’s plainly something best done inside.